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Global Time-Space Reorderings: Literary, Cultural, and Cinematic Transformations transnationally explores the impact of globalization on the reconceptualization of time and space in modern and contemporary literature, culture, and cinema. Yi-Hsuan Tso’s examination includes the novel Magical Mountain by the Nobel Literature Laureate Gao Xingjian, the Taiwanese Canadian poet Lo Fu’s epic Driftwood, the work of Taiwanese woman poet Hsia Yü, the Taiwanese documentary Let It Be, and third wave feminism in Taiwan. The book maintains that there are at least three axes of global time-space reordering. The first axis is the possibility of escape and freedom in time-space. In Magical Mountain, the escape from civilization is facilitated by the utopian nature with which a person communicates spiritually. Likewise, in Lo Fu’s Driftwood, the self gains freedom through the transcendence of local, local-global, and global time-space. The second axis is a translocal consciousness exemplified by the double-center globally migrating identity in Lo Fu’s Driftwood, the local, regional, and global entanglements in Taiwanese third wave feminism, and the acentric poetics of Hsia Yü. The third axis is the debate in Let It Be over whether to sustain the local-global economic interconnection or to lessen this interconnectivity confronting the spaces smoothed out by capitalism’s laissez faire policy.
Global Time-Space Reorderings- Literary, Cultural, and Cinematic Transformations是本不錯的文學小說﹐之前專賣店看到就蠻想買的，規格跟售價相當誘人
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Global Time-Space Reorderings- Literary, Cultural, and Cinematic Transformations曾在博客來 網路書店造成搶購熱潮。
看完有一種說不出的感動，總而言之，真的不錯，內容精彩！
Global Time-Space Reorderings- Literary, Cultural, and Cinematic Transformations誠意推薦給大家看喔!
作者： 左乙萱
新功能介紹- 原文作者：Yi-Hsuan Tso
- 出版社：唐山出版社
新功能介紹 - 出版日期：2014/09/01
- 語言：英文
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大力推薦台灣
作者： 左乙萱
新功能介紹- 原文作者：Yi-Hsuan Tso
- 出版社：唐山出版社
博客來新功能介紹 - 出版日期：2014/09/01
- 語言：英文
Global Time-Space Reorderings: Literary, Cultural, and Cinematic Transformations transnationally explores the impact of globalization on the reconceptualization of time and space in modern and contemporary literature, culture, and cinema. Yi-Hsuan Tso’s examination includes the novel Magical Mountain by the Nobel Literature Laureate Gao Xingjian, the Taiwanese Canadian poet Lo Fu’s epic Driftwood, the work of Taiwanese woman poet Hsia Yü, the Taiwanese documentary Let It Be, and third wave feminism in Taiwan. The book maintains that there are at least three axes of global time-space reordering. The first axis is the possibility of escape and freedom in time-space. In Magical Mountain, the escape from civilization is facilitated by the utopian nature with which a person communicates spiritually. Likewise, in Lo Fu’s Driftwood, the self gains freedom through the transcendence of local, local-global, and global time-space. The second axis is a translocal consciousness exemplified by the double-center globally migrating identity in Lo Fu’s Driftwood, the local, regional, and global entanglements in Taiwanese third wave feminism, and the acentric poetics of Hsia Yü. The third axis is the debate in Let It Be over whether to sustain the local-global economic interconnection or to lessen this interconnectivity confronting the spaces smoothed out by capitalism’s laissez faire policy.
Global Time-Space Reorderings- Literary, Cultural, and Cinematic Transformations
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Global Time-Space Reorderings- Literary, Cultural, and Cinematic Transformations
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